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MaestroRage
I consider this account an important chapter in my life

Selcuk Bor @MaestroRage

Age 36, Male

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Toronto

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My "Secrets" revealed.

Posted by MaestroRage - February 5th, 2008


Over the weeks/months/years people have taken an interest in what programs I use to do what I do. And I often end up telling them the same thing *with changes over time as the set up changes obviously). So in order to save myself time, and to give one really good answer for everybody who cares, here it is.

Keep in mind,
"to orchestra is to create, and this cannot be taught. The art of orchestration can."
- Nikolai Rimsky-Korsakov -

What this means is I can tell you what I used, and I can tell you why I did what I did, but I cannot tell you HOW I did what I did. Like the painter cannot show the student what to draw, only how they can go about drawing it.

My set up is as follows.

Host/Sequencer
Fruity Studios 7.0

VST Libraries (i'll explain VST's in a bit)
East West Symphonic Orchestra Gold PRO XP - 32 gigs
East West Symphonic Choirs - 35 gigs
East West Ministry of Rock - 20 gigs (electric guitars)
East West RA - 14 gigs
East West Voices of the Apocalypse - 2.5 gigs

West Gate (or WestSound, too lazy to research) Flute - 4 gigs
West Gate Oboe - 4 gigs

True Strike 1 (percussion) - 14 gigs

So what are VST's? VSTi's (the poltically correct term for them) stands for Virtual Studio Technology instrument. They exist for both electronic and orchestral sounds, and in fact started off primarily for the electronic genre. Orchestral libraries are generally very big because they are pretty much recordings of every note an instrument can carry out, in high quality to let composers tell their Host/Sequencer program what note they want at free will.

The more advanced libraries will have styles of play and more velocity layers for instruments. Styles of play include things like French Horn Rips, or Violin Slurs. Velocity layers means different textures of the same note depending on how high the volume you set. For example if you pressed down really hard on a violins A string, you get a grittier, more rough texture where if you just slightly slid over it, you get a smooth, somewhat weak timbre. So not only do the libraries have recordings of each note, but MULTIPLE recordings so to provide more realism depending on how high/low the volume you set them to.

Then there are things like Key Switches but those are not something i'm going to get into now.

Let me know if you have any other questions, I will add them here or answer them to the best of my ability, I hope this helps!

In other news, the collab is coming along, hoping to get that done before the end of this month!


Comments

Wait wait wait so you don't actually have an orchestra in your bedroom? Pshhh I'm not impressed anymore.

Cool to know what you use, I have never really been into sound production that heavily and its interesting to see technique and tools used.

Well if I had to bury any more bodies the neighborhood is going to smell like F major, and F major sucks!!!

Well i'm not impressed that YOU don't have an entire studio of animators and programmers in your glove compartment in the van like I was told >:(!!!

We both lead a life of lies and slander :O!

Cool. Do you think you could put up a price list on those VST's (VSTi's =P)? And maybe links. I know where to find them if I want to check them out, but for other people, and convenience, links and/or prices would be nice.

Also, good to hear the collab doing well.

I'm preparing quite an exhaustive guide to the VST's I use as we speak! I hope to get that done soon too. It's going to be a very interesting set up, you'll see :D!

where the hell do you get the $3000 necessary to buy all that stuff?

jobs, and some contests i've won gave me some funds :D! There's like a thousand more I want, sadly the wallet laughs at my attempts to get them.

And I just got a credit card, I want to kinda cut it up before I destroy myself D: